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(·s»D½Z) Press Release
25/04/2005Curiosities:
post-art from the edge-installation exhibition
Artists:
Ivy Ma (Hong Kong)
Judy Cheung (Canada) Louise Hubbard (Australia) Shiro Masuyama (Japan)
Opening
Reception: 28/4/2005
(Thurs), 6pm Inaugurating
Guest: Jane Debevoise Exhibition Dates:
28/4 ¡V 29/5/2005While the child-protagonist Alice's journey through the looking glass
and down the rabbit hole is a consequence of her intelligence and
inquisitiveness; so is curiosity the drive for artists to work on materials,
elements and found objects they meet in the everyday life. And while familiarly
unfamiliar are fairytales and dream adventures are to us all; so are the works
of the artists on themes that are universal to the collective unconscious such
as dreams, traveling, fairytales and the very sense of being itself.
After presenting the vaudevillian garden
together with an op-scape and taking the audience to a-rolling and strolling
with images in donut shape, Para/site Art Space is proud to present ¡§Curiosities:
post-art from the edge¡¨ in April and May 2005. This is an installation exhibition
comprising works from 4 artists from different background and nationality, and out of a pool of 120 proposals submitted, yet
bearing the similar cutting-edge way of interpreting and re-presenting
everyday life objects as art-objects out of everyday materials and found
objects. And similar too, is the fact that the works may have exhibited
somewhere else individually but shipped and post to the site here for an
open dialogue with each other; and on what site-specificity may mean; and what
everydayness may become in a playful manner.
If ¡§curious¡¨ has similar meaning with ¡§concern, eagerness, inquiring
mind, inquisitiveness, interest, interestingness, intrusiveness, investigation,
meddling, mental acquisitiveness, nosiness, officiousness, prying, questioning,
regard, searching, snooping¡¨, yet at the same time is synonymous with ¡§anomaly,
bibelot, bygone, conversation piece, curio, exoticism, freak, knickknack,
marvel, monstrosity, nonesuch, objet d'art, oddity, peculiar object, prodigy,
rarity, singular object, trinket, wonder¡¨; then ¡§curiosities¡¨ promises certain degree
of ¡§interest¡¨ and ¡§oddity¡¨. So be there to explore how oddities may work
against the norm; and how interesting an art space can become with the works of
marvel.
About the artists & their works:
Ivy Ma (Hong Kong) works in varied media and the notion of
using materials in art making as the ever-ending process of
transmigration of Subject and Object. Her art is an expression in response to
society and her experiences. Her interest in psychoanalysis reflects in
the notion of art as a doll that will listen to and absorb her
thoughts and emotions. In working in paint and concerning herself only in form,
circles and other plane shape, Ma denies the viewers any intricate
interpretation, and in doing so create intimate compositions measured only by
her artistic intuition.
¡§This series of art pieces is
about childhood memories, imaginations, and fantasies. The materials I choose
help both myself and viewers stepping into psyche, where the space is always
the enclosed room as solitude for putting ¡¥things¡¦ (memories) in and for
someone to ¡¥create¡¦ (memorize) their own fairy tales.¡¨
Judy Cheung (Canada) works on kinetic installation, photography and video
and has been included in exhibitions across Canada, USA, Europe and Hong Kong.
Her photographic art is a continuous experimentation and investigation of
perceptual reality. Installations she constructs are often interactive,
rendering a form in which the audience is propelled into a journey. She
received a BFA degree from University of Calgary in 1987 and an MFA degree from
Pratt Institute, New York in 1992 and is a recipient of numerous awards for her
innovative projects. An active member in the arts community, she is involved as
an artist, a teacher and a curator. Cheung lives and works in Vancouver,
Canada.
¡§skyLink is a virtual airport. A
multi-component installation, viewers navigate through travel effects,
re-created and re-contextualized by the artist, that resonate, with subtle
humor, the homogeneity, banality and frequency of international travel. The
work exemplifies our cultural existence, increasingly similar and borderless,
through globalized consumerism and consumption. It embodies
ephemeral moments of engagement, where spatial and tactile senses are aroused
through one¡¦s perception and interaction, in an undefined territory.¡¨
Louise Hubbard (Australia) receives her MFA by research at RMIT University in 2000 and has
participated in solo and group shows since 1977. She has also been a writer,
director, producer of documentaries, short drama and experimental works for
cinema and television from 1983 to 1998. Currently she is a lecturer at the
School of Art, Victorian College of the Arts.Her work provokes memory and
association with a seemingly unstable installation of found objects. Familiar objects
are turned unfamiliar yet not unrecognizable but with a feeling of uncanny fear
and obsolesce.
¡§I collect objects which
trigger psychological and emotional impulses which I then harness into
relationships of abstraction. My work relies upon a strategy that is anthropomorphic by
nature. The¡¥nature¡¦ of training (submission, subordination) is my obsession, as is my interest in
pedagogical and disciplinary spaces in which subjectivity and knowledge are
formed. My work complies with the doctrinaire no cut and paste, look, put, and look again,
means to making sense.¡¨
Shiro Masuyama (Japan) has always been seen as anti-social as he
playfully questions the behaviour of people in the norm, Shiro¡¦s works is also
special in the sense that he encourages participation from the audience which
is rare in the ¡¥usual¡¦ gallery and museum spaces. Originally trained as an
architect at Meiji University, Tokyo, Shiro commences his contemporary art
practice and exhibitions, group and solo, in Tokyo, New York, Vienna and Stockholm
etc after his Master of Architecture in 1997. Presently he is at an artist in
residence program at Kunstlerhaus Bethanien, Berlin.
¡§I would say that it is after people got
involved in it when my work completed. To make the devices is only preliminary
for me to a completed work. I think my work is different from peaceful one that
is common in so-called "communication art" or conventional
"interactive art", as it puts people trapped to use in the work. It
creates a reverse of standpoints of the viewer and the artist; the artist
watches
the viewer and the viewer is watched. After all, the viewer comes to face
himself. I mean I don¡¦t just present my work on the media. I create a
four-dimensional situation, having the viewers got involved in the work, and
take it as a media.¡¨
Exhibition Details:Opening Reception: 28/4/2005 (Thurs), 6pm
Exhibition Dates: 28/4 ¡V 29/5/2005
Opening Hours: 12-7pm, closed on Mon, Tue &
Public Holidays
Venue: Para/Site Art
Space (No.4 Po Yan Street, Sheung Wan, Hong Kong)
Artist Talk: 30/4/2005
(Sat), 2-4pm
Free Admission. All are welcome.
Press & Exhibition Enquiries:
Caroline Hu 2517-4620 or
info@para-site.org.hk
This exhibition is presented by
Para/Site Art Space
www.para-site.org.hk

Acknowledgement: Bittersweet Café,
CC, May Fung, Art & Culture Outreach, Rita Hui, Cindy Wong, Cathay Pacific
Airways, all the helpers and volunteers of Para/site Art Space.


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