Shirley
Tse's Plastic Works
Tse's works are made largely of plastics-including custom-moulded
pieces from raw materials and consumer goods. She is interested in
"plasticity", both on a material and conceptual level, and
how it is manifested in art objects.
"Plastic"
as a word suggests many different connotations, yet adheres to none.
It points to the limitation of language, and challenges the value-laden
binary opposition of artificial/natural, temporary/permanent, light/strong,
and surface/structure. Plastic, as a product of technology, is able
to possess these contradictory properties simultaneously. It transcends
or complicates these binaries and creates a state of paradox.
At Para/Site,
Tse plans to incorporate plastics found locally, as plastics form
the daily landscape in Hong Kong. They appear as different aesthetics,
and are imbued with coding of class, taste, and attitude towards
"progress". Conceptually, she allows the boundary between
architecture, fashion and natural landscapes to become plastic,
that is, fluid.
Tse is a native
of Hong Kong. She moved to the US in 1990 and remained since then.
After graduating with an MFA at the Art Center College of Design
in Pasadena in 1996, she has exhibited widely in the US, Europe,
and New Zealand.
Phoebe Man
Constructs Prostheses
Phoebe's Work
studied the Cyber Space. Since the new technology gives more choices
of life style for the people, she used it to study the issue of
desire, gender and cultural difference.
A
Masquerade on the Internet (www.cyman.net/interface.html)
Phoebe worked with her male friends to construct prostheses in a
chat room with a separate body and mind. The body that was seen
in the chat room was her body. It was only used to construct their
images of an ideal woman in cyber space. She tried not to have a
mind and let her friends control her body, tell her what to do in
the chat room. The minds of her body are her male friends' unconscious("feminie")?part
of their minds. She asked them to try to speak as a woman in the
chat room. She wants to explore the multiplicity of a person, how
desires are created, how far a body without a mind can go, how gender
and bodies are socially constructed and the tension between genders.
Disembodied
Bodies (www.cyman.net/disembodied.html)
People now can see each other live by using web cams in chat rooms.
Does the advent of it bring the space closer to reality? Did it
change the nature of the cyber space? She want to ask these questions
by showing obviously unreal bodies: a walking vagina and an image
of a naked woman and meet people in the chat room. The images tried
to imitate and ridicule a common body presentation in the chat room:
framing and exaggerating their sex organs. Are they real bodies
or are they just a form of prostheses? If the bodies are not real
bodies and we cannot experience it in the real world, why are people
are still obsessed? She tries to find the answer through her work.
Rati
(www.cyman.net/rati.html)
This work tried to further discuss the images and sexuality of women.
It is a story about a walking vagina, Rati (a Hindu/Balinese Goddess
name), trying to find out what she should be. The work will be place
under the catalogue of pornography on the Internet. She tried to
place another view of sexuality on it since the cyberspace is a
heaven for pornographers.
Phoebe will
show video, computer print out and web site in this exhibition.
Her work is kind of self exploration but it can also reflect the
culture ofa society. She just received her master degree from the
San Francisco Art Institute. Her works were showed in United States,
Taiwan, Australia and Mexico.
For further
inquiries, please contact: Fred Chak (25174620), Phoebe Man and
Shirley Tse.
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